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1966, New York City

1989 BA, Bennington College, Bennington, Vermont
1987 Architectural Association, London

Tom Sachs is a sculptor, probably best known for his elaborate recreations of various Modern icons, all of them masterpieces of engineering and design of one kind or another. In an early show he made Knoll office furniture out of phone books and duct tape; later, he recreated Le Corbusier's 1952 Unité d'Habitation using only foamcore and a glue gun. Other projects have included his versions of various Cold War masterpieces, like the Apollo 11 Lunar Excursion Module, and the bridge of the battleship USS Enterprise. And because no engineering project is more complex and pervasive than the corporate ecosystem, he's done versions of those, too, including a McDonald's he built using plywood, glue, assorted kitchen appliances. He's also done Hello Kitty and her friends in materials ranging from foamcore to bronze.  A lot has been made of the conceptual underpinnings of these sculptures: how Sachs' sampling capitalist culture, remixing, dubbing and spitting it back out again, so that the results are transformed and transforming. Equally, if not more important, is his total embrace of "showing his work." All the steps that led up to the end result are always on display. On a practical level, this means that all seams, joints, screws or for that matter anything holding stuff together, like foamcore and plywood, are left exposed. Nothing is erased, sanded away, or rendered invisible. On a more philosophical level, this means that nothing Sachs makes is ever finished. Like any good engineering project, everything can always be stripped down, stripped out, redesigned and improved.  The reward for work is more work.


Architectural Association Furniture Prize, awarded by Tom Dixon, London, England


"Tom Sachs: Cameras," Aldrich Contemporary Art Museum, Ridgefield, CT, 21 June - 16 September 2009 (fanzine).
"Skateboards," Galerie Thaddaeus Ropac, Salzburg, Austria, 30 May - 11 July 2009 (fanzine).

"Gold & Plywood," Galerie Thaddaeus Ropac, Paris, France, 23 October - 22 November 2008 (fanzine).
"Tom Sachs: Bronze Collection," Galerie Thaddaeus Ropac, Paris, France, 23 October - 22 November 2008.
“Tom Sachs: Bronze Collection,” Baldwin Gallery, Aspen, CO, 25 July – 5 September 2008.
“Tom Sachs: Bronze Collection” Lever House, New York, NY, 9 May – 6 September 2008 (fanzine).
“Tom Sachs: Animals,” Sperone Westwater, New York, NY, May – June 2008 (catalogue).

"Space Program," Gagosian Gallery, Beverly Hills, CA, 8 September - 13 October 2007 (catalogue & two fanzines).
“Tom Sachs: Logjam,” tour: Des Moines Art Center, Des Moines, IA, 25 May – 26 August 2007; Rose Art Museum, Brandeis University, Waltham, MA, 26 September – 16 December 2007 (catalogue).
“Tom Sachs: Islandia,” Galerie Thaddaeus Ropac, Paris, France, 20 January – 24 February 2007 (catalogue).

“Tom Sachs,” Fondazione Prada, Milan, Italy, 6 April – 15 June 2006 (two catalogues).
“Tom Sachs – Survey: America, Modernism, Fashion,” Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, 14 January – 23 April 2006 (catologue).

“Vanity,” Galerie Thaddaeus Ropac, Austria, 1 – 31 July 2005.
“Tom Sachs: McDonalds,” Tomio Koyama Gallery, Tokyo, Japan, 22 April – 28 May 2005 (fanzine).

“Tom Sachs: Dedicated to the Memory of Ben Plummer 1968-2004,” Baldwin Gallery, Aspen, CO, 26 December 2004 – 30 January 2005.
"Tom Sachs: Private Wealth Management," Kunstraum Deutsche Bank, Galerie Thaddaeus Ropac, Salzburg, Austria, 20 November - 23 December 2004.
“Connecticut,” Sperone Westwater, New York, NY, 7 May – 5 June 2004 (fanzine).

“Holiday Spectacular,” Printed Matter, Inc., New York, NY, 22 November – 23 December 2003.
“Tom Sachs, New Paintings,” Galleria Cardi, Milan, Italy, 14 October- 22 November 2003.
“Nutsy’s,” Deutsche Guggenheim, Berlin, Germany, 24 July - 10 October 2003 (catalogue & fanzine (8 versions)).
“Disaster, (Featuring Andy Warhol)” Galerie Thaddaeus Ropac, Paris, France, March 1 - April 1 2003.

“Nutsy’s,” The Bohen Foundation, New York, NY, 8 November 2002 - 4 February 2003 (fanzine (8 versions)).
"Le Corbusier B Sides," Mario Diacono Gallery, Boston, MA, 10 - 24 May 2002 (brochure).

“Selector,” Galleria Cardi, Milan, Italy, 16 October - 26 November 2001 (catalogue).
“White,” Galerie Thaddaeus Ropac, Paris, France, 20 January - 24 February 2001 (catologue & fanzine).
“Lamps, Bitch Lounge & Quarter Screws,” A/D Gallery, New York, NY, 1 January - 28 February 2001.

"American Bricolage," Sperone Westwater, New York, NY, 2 November - 22 December 2000 (fanzine).
“Test Module Five (Urinal),” Tomio Koyama Gallery, Tokyo, Japan, 14 April - 13 May 2000.
“Defender,” Baldwin Gallery, Aspen, CO, 17 February - 8 March 2000.

“Haute Bricolage,” Mary Boone Gallery, New York, NY, 11 September - 23 October 1999 (fanzine).
“W.W.J.B.D. and Other Smash Hits (Neue Werke),” Galerie Thaddaeus Ropac, Salzburg, Austria, 29 August - 2 October 1999.
“Stairmaster,” Mont Blanc Factory, Hamburg, Germany, 1 - 31 July 1999.
“Burn Baby Burn,” Mont Blanc Store, New York, NY, 1 June 1999 - 31 March 2000.
“Tom Sachs,” Mario Diacono Gallery, Boston, MA, 6 March - 3 April 1999 (brochure).
“SONY Outsider,” SITE Sante Fe, Santa Fe, NM, 6 February - 14 March 1999 (catalogue & fanzine).
“Creativity is the Enemy,” Galerie Thaddaeus Ropac, Paris, France, 16 January - 27 February 1999 (catalogue).

“Creativity is the Enemy,” Thomas Healy Gallery, New York, NY, 25 April - 6 June 1998.

“Tom Sachs: Cultural Prosthetics,” Galleria Gian Enzo Sperone, Rome, Italy, 1 March - 30 April 1997; Galleria d'Arte 1000eventi, Turin (window display) and Milan, 20 March - 5 May 1997 (catalogue).
“Cultural Prosthetics,” John Berggruen Gallery, San Francisco, CA, 1 March - 30 April 1997.

“Tom Sachs,” Mario Diacono Gallery, Boston, MA, 23 November - 21 December 1996.

“Cultural Prosthetics,” Morris-Healy Gallery, New York, NY, 9 December 1995 - 14 January 1996.

"Tom Sachs," Window display, Whitney Museum of American Art, Store Next Door, New York, NY.

“Watch Me Work,” Allied Cultural Prosthetics, New York, NY.


“Wall Rockets: Contemporary Artists and Ed Ruscha,” Albright-Knox Art Gallery, Buffalo, NY, 24 July – 25 October 2009.
"A house is not a home," BC Magazine, Paris, France, 2 July - 2 September 2009.
"SIGN/AGE: Part Three: Fight the Power," Armand Bartos Fine Art, New York, NY, 27 March - 25 April 2009.
"Better History," The American Standard Gallery, New York, NY, 12 March - 11 April 2009.
"Schizmo," 10 Vyner Street, London, UK, 14 February - 8 March 2009.
"The Garden At 4AM," Gana Art Gallery, New York, NY, 12 February - 14 March 2009.

"The American Standard Gallery (Self-Titled Show)," The American Standard Gallery, Miami, FA, 2-7 December 2008.
"The Lines of the Hand (Las Lineas De La Mano)," University Museum of Contemporary Art of the National Autonomous University of Mexico, Coyoacan, Mexico, 16 October - 15 November 2008 (catalogue).
"Wall Rockets: Contemporary Artists and Ed Ruscha," FLAG Art Foundation, New York, NY, 3 October 2008 - 18 April 2009 (catalogue).
"Summer Exhibition," Sperone Westwater, New York, NY, 8 July - 5 September 2008.
"I Won't Grow Up," Cheim & Read, New York, NY, 26 June - 29 August 2008.
“Dear Velo,” Bicycle Film Festival and Partners & Spade, New York, NY, 29 May – 2 June 2008.

“Contemporary, Cool, and Collected,” The Mint Museum of Art, Charlotte, North Carolina, 20 October – 30 December (catalogue).
"Delicious: Sylvie Fleury, Bernhard Martin, Tom Sachs," Galerie Thaddaeus Ropac, Salzburg, Austria, 1 August - 3 October 2007
“Timer: Intimita/Intimacy,” L’arte Contemporanea Si Guarda Dentro, Milan, Italy, 29 March-10 June 2007.
“Disorder in the House,” Vanhaerents Art Collection, Belgium, 16 March 2006.
“Branded and on Display,” Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL, January - March 2007 (catalogue).
2006 “Fantastic Politics: Art in Times of Crisis,” Nasjonalmuseet For Kunst, Arkitektur, Og Design, Norway, 20 October 2006 – 25 February 2007 (catalogue).
“Freeze! A Selection of Works from a New York Collection,” Robilant + Voena + Sperone, London, 10 October – 4 November 2006.
“Only the Paranoid Survive,” Hudson Valley Center for Contemporary Art, 17 September 2006 – 21 January 2007.
"Bucolica: The Contemporary Landscape," Galerie Thaddaeus Ropac, Salzburg, Austria, 22 July - 28 August 2006.
“New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photograph and Video,” Grimaldi Forum, Monaco, 13 July – 10 September 2006.
"Summer Exhibition," Sperone Westwater, New York, NY, 7 July - 9 September 2006.
“This is America! Contemporary Art and American Photorealism,” Centraal Museum, Utrecht, Netherlands, 24 June – 7 October 2006; Lewis Glucksman Gallery, Cork, Ireland, November 2006 – February 2007 (catalogue).

"Superstars: The Celebrity Factor, From Warhol to Madonna (Superstars - Das Prinzip Prominenz. Von Warhol bis Madonna)," Kunsthalle Wien, Vienna, Austria, 4 November 2005 - 22 February 2006 (catalogue).
"Highlights," John Berggreun Gallery, San Francisco, CA, 3 November - 22 December 2005.
“ex.05.01.06103,” The Cartin Collection, Hartford, CT, 14 October – 5 December 2005.
"Return to Space (Ruckkehr ins All)," Hamburger Kunsthalle, Hamburg, Germany, 23 September 2005 - 12 February 2006 (catalogue).
"A Knock at the Door," South Street Seaport Museum Melville Gallery and Cooper Union, New York, NY, 8 September - 1 October 2005.
"Minimalism and After IV: New Acquisitions," Daimler Contemporary Art Collection, Berlin, Germany, 29 July - 27 November 2005 (catalogue).
"Extreme Abstraction," Albright-Knox Art Gallery, Buffalo, NY, 15 July - 2 October 2005.
"2005-06 Herron Sculpture Biennial Invitational,” Herron Galleries, Herron School of Art and Design, Indianapolis, IN, May 2005 – August 2006.
"American Artists in Florence and Sienna (Artisti Americani a Firenze e a Siena)," Galleria Alessandro Bagnai, Florence, Italy, 19 May - 30 July 2005.
"Twenty Five Years of the Deutsche Bank Collection (Funfundzwanzig Jahre Sammlung Deutsche Bank)," Deutsche Guggenheim, Berlin, Germany, 30 April - 27 June 2005 (catalogue).
“Homestyle,” Leo Castelli Gallery, New York, NY, 1 April – 27 May 2005.
“3D - Die Dritte Dimension,” Galerie Haas & Fuchs, Berlin, Germany, 18 March – 30 April 2005 (catalogue).

"…Surprise!" Galleria Cardi, Milan, Italy, 2 December 2004 - 4
March 2005; Galleria Cardi, Milan, Italy, 30 November 2004 - 7 February 2005.
“Will Boys Be Boys? Questioning Adolescent Masculinity in Contemporary Art,” The Salina Art Center, Salina, KS, 20 November 2004 – 29 January 2005; Museum of Contemporary Art Denver, Denver, CO, 18 February - 17 April 2005; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, 5 November - 8 January 2006; Gulf Coast Museum of Art, Largo, FL, 12 May 2006 - 2 July 2006; Indianapolis Museum of Art, Indianapolis, IN, 22 October 2006 – 14 January 2007 (brochure).
"Recent Acquisitions: Contemporary Works (Acquisitions Recentes. Oeuvre Cotemporaines)," Musee National d'Art Moderne Centre Georges Pompidou, Paris, France, 20 October - 31 January 2005.
"Arti & Architettura. 1900-2000," Palazzo Ducale, Genova, Italy, 2 October 2004 - 13 February 2005 (catalogue).
"Terminal 5," John Fitzgerald Kennedy International Airport, Queens, NY, 1 October 2004 (catalogue).
"Territorio Livre," 26 Bienal de Sao Paulo, Pavilhao Ciccillo Matarazzo, Parque do Ibirapuera, Sao Paulo, Brazil, 25 September - 19 December 2004 (catalogue).
“DESIGN ≠ ART: Functional Objects from Donald Judd to Rachel Whiteread,” Cooper Hewitt National Design Museum, New York, NY, 10 September 2004 – 27 February 2005; Museum of Design, Altanta, GA, 7 April - 9 July 2005; Aspen Art Museum, Aspen, CO, 5 August – 11 October 2005 (catalogue).
"Kitty Ex. The 30th Anniversary of Hello Kitty's Birth," Mori Museum, Tokyo, Japan, 31 July - 29 August 2004; Laforet Museum Harajuku, Tokyo, Japan, 31 July - 22 August 2004; Daimaru Kobe, Kobe, Japan, 3 -12 September 2004; Daimaru Umeda, Osaka, Japan, 6 - 17 October 2004; Daimaru Sapporo, Sapporo, Japan, 25 December 2004 - 3 January 2005; Nagoya Parco, Nagoya, Japan, 3 March - 4 April 2005; Laforet Niigata, Niigata, Japan, 29 April - 8 May 2005; Sogo Art Museum, Yokohama, Japan, 28 July - 28 August 2005; Kurashiki City Art Museum, Kurashiki, Japan, 11 November - 25 December 2005.
"20 Years: 1984-2004 (20 Jahre. 184-2004)," Galerie Thaddaeus Ropac, Salzburg, Austria, 29 July - 28 August 2004.
"Monument to Now," DESTE Foundation for Contemporary Art, Athens, Greece, 22 June 2004 - 6 March 2005 (catalogue).
“…So Fresh, So Cool!,” Galleria Cardi, Milan, 1 July - 20 October; Galleria Cardi, Milan, Italy 21 June – 20 September 2004.
"Alumni Art and Design Show," Alumni Day Reunion, Green Farms Academy, Green Farms, CT, 12 June 2004.
“Sculptural Sphere,” Sammlung Goetz, Munich, Germany, 6 March – 12 September 2004 (catalogue).

"Painting Lesson," Galleria Cardi & Co, Milan, Italy, 28 November 2003 - 17 January 2004.
"Greetings from New York: A Painting Show," Galerie Thaddaeus Ropac, Salzburg, Austria, 22 November 2003 - 17 January 2004.
"Perpetual Bliss: Form, Symbol and Material in Contemporary Sculpture," Galerie Thaddaeus Ropac, Paris, France, 9 October - 8 November 2003.
“Materials, Metaphors, Narratives: Work by Six Contemporary Artists,” Albright-Knox Art Gallery, Buffalo, NY, 4 October 2003 – 4 January 2004 (fanzine).
"Everyday Aesthetics - Works from the Astrup Fearnley Collection," Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway, 27 September - 30 November 2003.
"Skulptur 03," Galerie Thaddaeus Ropac and Max Gandolph Bibliothek, Universitat Salzburg, Salzburg, Austria, 29 July - 30 August 2003.
"Teddybar & Co - Searching for the Myth in Art (Teddybar & Co - Die Suche Nach Mythen in der Kunst)," Galerie Ernst Hilger, Vienna, Austria, 27 June - 21 August 2003.
"Bull's Eye: Works from the Astrup Fearnley Collection (Pletskud: Vaerker Fra Astrup Fearnley Samlingen)," ARKEN Museum for Moerne Kunst, Ishoj, Denmark, 21 June - 31 August 2003 (catalogue).
"Heroes & Villains," Dactyl Foundation for the Arts & Humanities, New York, NY, 23 May - 28 June 2003.
"Original Since 1.4.60," tour: Annie Leibovitz Carriage House, New York, NY, 23 April 2003; Truman Brewery, London, UK; British Embassy, Tokyo, Japan, "Wetterling Gallery 1978-2003: 25 Years Anniversary," Wetterling Gallery, Stockholm, Sweden, 27 March - 29 April 2003.
"Kids Are Us (I Bambini Siamo Noi)," Galleria Civica di Arte Contemporanea, Trento, Italy, 9 March - 25 May 2003.
"Up In Arms," Parker's Box, New York, NY, 1 March - 7 April 2003.
“No Canvas, ” Galleria Cardi, Milan, Italy, 25 February - 3 May 2003.

"The Art of the Game: From Klee to Boetti (L'Arte Del Gioco. Da Klee A Boetti)," Museo Archeologico Regionale, Aosta, Italy, 21 December 2002 - 13 May 2003 (catalogue).
"2002 - Two Zero Zero Two," DESTE Foundation for Contemporary Art, Athens, Greece, 20 December 2002 - 10 April 2003.
"SK8 On The Wall," Rocket Gallery, Tokyo, Japan, 20 December 2002 - 8 January 2003 (catalogue).
"Illegal Art: Freedom of Expression in the Corporate Age," tour: CBGB's 313 Gallery, New York, NY, 13 November 2002 - 6 December 2003; In These Times Building, Chicago, IL, 25 January - 22 February 2003; Gaea Foundation Resource Center for Activism and Arts, Washington, DC, 29 April - 7 June 2003; The San Francisco Museum of Modern Art Artists Gallery at Fort Mason, 2 July - 25 2003; Nexus Gallery, Nexus Foundation for Today's Art, Philadelphia, PA, 3 October - 2 November 2003; Art and Culture Center of Hollywood, Hollywood, FL, 4 February - 2 April 2006 (catalogue).
"New Hotels for Global Nomads Explore the Hotel as Design Laboratory and Fantasy Experience," Copper-Hewitt National Design Museum, New York, NY, 29 October 2002 - 2 March 2003.
"Outdoor: A Group Exhibition," Saint Petersberg, FL, 19 October.
"Shopping: Century of Art & Consumer Culture (Shopping: Kunst und Konsumkultur)," tour: Schirn Kunsthalle, Frankfurt, Germany, 28 September - 1 December 2002; Tate Liverpool, Liverpool, UK, 20 December 2002 - 23 March 2003 (catalogue).
"POPjack: Warhol to Murakami," Museum of Contemporary Art, Denver, CO, 27 September 2002 - 5 January 2003.
"Separations: Manufacturing Art/Skateboard," 222 Gallery, Philadelphia, PA, 2 August - 27 September 2002.
"Time Space Motion," Galerie Thaddaeus Ropac, Salzburg, Austria, 24 July - 31 August 2002.
“Good News,” Galleria Cardi, Milan, Italy, 5 June – 31 July 2002 (catalogue).
"Collaborations," (with Tillamook Cheddar,) The National Arts Club, New York, NY, 25 April - 10 May 2002.
“Five by Five: Contemporary Artists on Contemporary Art," Whitney Museum of American Art at Philip Morris, New York, NY, 18 April – 5 July 2002.
"Acquiring Taste," Real Art Ways, Hartford, CT, February 23 - June 30 2002 (web catalogue).
“Self-Medicated,” Michael Kohn Gallery, Los Angeles, CA, 1 January - 22 December 2002.
2001 "Camera Works: The Photographic Impulse in Contemporary Art," Marianne Boesky Gallery, New York, NY, 28 July - 10 August 2001.
“Art at the Edge of the Law,” Aldrich Museum of Contemporary Art, Ridgefield, CT, 3 June - 9 September 2003 (catalogue).
“Andy Warhol Knives,” Sperone Westwater, NYC, New York, 28 February - 14 April 2001.
"My Reality: Contemporary Art and the Culture of Japanese Animation," tour: Des Moines Art Center, Des Moines, IA, 10 February - 6 May 2001; Brooklyn Museum of Art, Brooklyn, NY, 28 July - 27 October 2001; Contemporary Arts Center, Cincinnati, OH, 24 January - 31 March 2002; Tampa Museum of Art, Tampa, FL, 21 April - 23 June 2002; Chicago Cultural Center, Chicago, IL, 13 July - 8 September 2002; Akron Art Museum, Akron, OH, 21 September 2002 - 5 January 2003; Norton Museum of Art, West Palm Beach, FL, 12 April - 15 June 2003; Museum of Glass, International Center for Contemporary Art, Tacoma, WA, 12 July - 21 September 2003; Huntsville Museum of Art, Huntsville, AL, 13 October 2003 - 4 January 2004 (catalogue).
“Ironical Instinct,” Galleria Cardi, Milan, Italy, 19 January - 28 February 2001.
“Making the Making,” Apex Art, New York, NY, 5 January - 3 February 2001(brochure).

“Toys,” Kagan Martos Gallery, New York, NY, 12 December 2000 - 30 January 2001.
“Fabula: Consumer Media and Contemporary Art,” Cranbrook Art Museum, Bloomfield Hills, MI, 9 December 2000 - 8 April 2001 (catalogue).
“Expressions in Wood/The Wood Show,” Max Fish, New York, NY, 1 - 31 December 2000.
"Demonstration Room: Ideal House," Museo Alejandro Otero, Caracas, Venezuela, 30 November 2000 - 16 March 2001 (brochure).
“American Bricolage,” Sperone Westwater, New York, 2 November – 22 December 2000 (catalogue & fanzine).
“Hand-Made in the U.S.A.,” Sprovieri Gallery, London, UK, 1 November - 2 December 2000.
“Lights in the Gallery: From Warhol to 2000, Gian Enzo Sperone: 35 years between Europe and America, (Luci in Galleria. Da Warhol Al 2000. Gian Enzo Sperone: 35 Anni Di Mostre Fra Europa E America),” Palazzo Cavour, Turin, Italy, 6 October 2000 - 14 February 2001 (catalogue).
"2001," Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA, 5 October - 31 October 2000.
"C2C," New Langton Arts, San Francisco, CA, 20 September - 11 November 2000.
"Na'er Do Wells," DNA Studios, New York, NY, 1 July - 6 August 2000.
"American Art: The Last Century, (Arte Americana, Ultimo Deccenio)," Loggetta Lombardesca, Museo D'Arte Della Citta Di Ravenna, Ravenna, Italy, 8 April - 25 June 2000 (catalogue).
“Destruction/Creation,” Ubu Gallery, New York, NY, 4 March - 22 April 2000.
“Seven New York Artists,” Wetterling Gallery, Stockholm, Sweden, 3 February - 20 March 2000.

"Making Change: 100 Artists Interpret the Tzedakah Box," The Jewish Museum, San Francisco, CA, 14 November 1999 - 23 January 2000 (catalogue).
“Readymade Project,” Wunderkammer, London, UK, 17 September - 18 December 1999 (publication).
“Dysfunctional Sculpture,” Center Galleries, Detroit, MI, 11 September - 9 October 1999.
"Preparator's Pick," Weatherspoon Art Museum, University of North Carolina, Greensboro, NC, 11 July - 5 September 1999.
“Persuasion,” Lombard-Fried Gallery, New York, 24 June - 30 July 1999.
"Creative Time in the Anchorage: Exposing Meaning in Fashion Through Presentation," Brooklyn Bridge Anchorage, Brooklyn, NY, 19 May - 18 July 1999 (catalogue).
“The Stroke: An Overview of Contemporary Painting,” Exit Art, New York, NY, 1 May - 2 July 1999.
“Comfort Zone: Furniture by Artist,” UBS Art Gallery (formerly Paine Webber Art Gallery), New York, NY, 15 April - 25 June 1999 (catalogue).
“Food for Thought,” New Jersey Center for the Visual Arts, Summit, NJ, 21 March - 2 May 1999 (catalogue).
“Material Perception/Celebrating Art and Architecture: Creating a Place for People,” TrizecHahn Office Properties, Bank of America Plaza, Charlotte, NC, 4 February - 4 November 1999 (catalogue).
"Police," Alleged Gallery, New York, NY
"Paper: A Retrospective," Holly Solomon Gallery, New York
"Coup d'Etat," Alleged Gallery, New York, NY

“Hedge,” Thomas Healy Gallery, New York, NY, 3 December 1998 - 9 January 1999.
"Recent Acquisitions: Biggs, Bogin, Kortik, Nahas, Reeves, Rockman, Sachs," Sperone Westwater Gallery, New York, NY, 1 - 31 December 1998.
“Thinking Aloud,” tour: Kettle’s Yard, Cambridge, UK, 7 November 1998 - 3 January 1999; Cornerhouse, Manchester, UK, 9 January - 28 February 1999; Camden Arts Centre, London, UK, 9 April - 30 May 1999 (catalogue).
“He Swam Down, Away,” Audiello Fine Art, New York, NY, 11 September - 16 October 1998.
“Modern Ensemble: The Still-Life in Contemporary Painting and Sculpture (Ensemble Moderne: Das Moderne Stilleben/Ensemble Moderne: A Propos de la Nature Morte),” tour: Galerie Thaddaeus Ropac, Salzburg, Austria, 25 July - 31 August 1998; Galerie Thaddaeus Ropac, Paris, France, 12 September - 25 October 1998 (catalogue).
“Bathroom,” Thomas Healy Gallery, New York, NY, 18 June - 7 August 1998.

“Art on Paper 1997: Thirty-Third Annual Exhibition of Art on Paper,” Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC, 16 November 1997 - 18 January 1998 (catalogue).
“New York,” Galleri F15, Moss, Norway, 13 September - 19 October 1997 (catalogue).
“Icons: Magnets of Meaning,” The San Francisco Museum of Modern Art, San Francisco, CA, 18 April - 5 August 1997 (catalogue).
“Road Show ’97,” Bronwyn Keenan Gallery, New York, NY, 15 February - 15 March 1997.
"Do Not Disturb (No Molestar)," Hotel Ribot, Caracas, Venezuela (brochure).
"Group Show," John Berggruen Gallery, San Francisco, CA
“Summer Group Show,” Sperone Westwater Gallery, New York, NY

“The Subverted Object,” Ubu Gallery, New York, NY, 26 October 1996 - 4 January 1997.
"American Dreamin,” Linda Kirkland Gallery, New York, NY, 7 September - 13 October 1996.
"On/In/Through,” Morris-Healy Gallery, New York, NY, 1 - 31 August 1996.
"Shred Sled Symposium," Thread Waxing Space, New York, NY, 11 March - 15 June 1996.
1995 "Occupato,” Bennett Roberts Fine Art, Los Angles, CA, 1 June - 31 August 1995.
"Inaugural Exhibition,” Paul Morris Gallery, New York, NY, 4 February - 12 March 1995.

"ICCF Windows,” Barney's, New York, NY
"International Contemporary Furniture Fair," New York, NY 15 - 18 November, 1994.
"Red Windows: Benefit for the Little Red School House,” Barney's, New York, NY, 1 November - 31 December 1994.
"Kill All Artists,” Public Performance with Dirk Westphal and New York Militia, New York, NY, 1994.
"The Bong Show," Alleged Gallery, New York, NY
"Pathetic Masterworks,” Alleged Gallery, New York, NY

"Shopping Cart Furniture,” display window with Dries van Notten, Barney's, New York, NY
"Minimal Tricks,” Alleged Gallery, New York, NY

"10 Steps,” Muranushi Lederman Inc. & Horodner Romley Gallery, New York, NY
"Exhibition,” Allied Cultural Prosthetics, New York, NY

"Denied Access Parking Lot,” L.A. Eats, Los Angeles, California


Montrasio, Giuliana. "Tendenze D'Autore: Tom Sachs (1966)." Art Economy 24 7 Mar. 2009: 24.
Montrasio, Giuliana. "Intervista A Tom Sachs (1966)." 6 Mar. 2009. Il Sole 24 Ore. 12 Mar. 2009.
Sachs, Tom, Andy Spade, and Bill Powers. "Tom Sachs: Space Program." Book Signing & Panel Discussion. 192 Books, New York. 5 March 2009.
Loria, Vivianne. "Galerie Thaddaeus Ropac." ABC [Madrid] 15 February 2009, ABCDARCO N° 4 ed., sec. Critical Eye (El Ojo Critico): 12.
Mar, Alex. "Sperone Westwater." 2009. New York. 27 January 2009.
"Mary Boone Gallery Chelsea." 2009. New York. 27 January 2009.
Placek, Matthu. "Made In Manhattan (Translated from the Chinese)." Chinese Vogue January 2009: 232-41.
Norimatsu, Minako. "Madamoiselle M - I Wanna Be Parisian: Minako's Fashionable Column." Spur January 2009: 99.
Bezzan, Cecilia. "Tom Sachs." Artpress [Paris] January 2009, 352nd ed., Expositions sec.: 80.
“Diary: Tom Sachs, Claridge’s Room 134, May 28 – June 1, 2008,” Whitewall, Winter 2009, p. 78.
Pratt, Ken. "Tom Sachs: Brand New Meaning." Wound v. 5, 2009: 295-303.

Rebollar, Monica F. "Tom Sachs." Lapiz 248 [Madrid] December 2008, 248th ed., Profile sec.: 5-93.
Lopez, Cristiana. “In Disguise: Cartoons and the Superwoman.” Arpel, N° 178, December 2008, p. 52-57.
Mao, H.W. "Metropolitan Paris." Men's Uno - Taiwan December 2008.
Benhamou-Huet, Judith. "Incorruptible Tom Sachs." BC/BE Contemporary Winter 2, pg. 28+.
Cappellozzo, Amy. "T-10 Minutes to Liftoff and Counting Tom Sachs." Slash Winter 2008: 32+.
"Peakaboo." Aspenpeak Winter 2008: 220.
"Jousets Geants Face A La Tour Eiffel." Le Journal de Paris 1 November 2008, Samedi ed., sec. Insolite: 1.
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Gars-Chambas, Marylene. "Agenda 3 Novembre." L'Officiel November 2008: 44.
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Morning News 24 September 2008, sec. Arts, Culture & Entertainment.
"'Uncommon Sense' Exhibit At TCU Gallery." Fort Worth Business Press 8 September 2008, sec. Arts Briefs.
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"Contents." Interview July - August 2008: 16.
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"Larger Than Life." Vanity Fair June 2008: 64.
Baker, RC. "Tom Sachs." The Village Voice May-June 2008: 37.
Goodstein, Andrew M. "Kitsch Kitties." New York Post 26 May 2008: 11-12.
Wu, David. “Tom Sachs Interview.” 14 May 2008.
Yablonsky, Linda. “Sin and Redemption,” 13 May 2008.
Sheets, Hilarie M. "This Is His Life: A Blue Whale And Hello
Kitty." The New York Times 4 May 2008, sec. Arts & Leasure: 23.
Jay, Ricky. "The Wizard Makes the Artist Tom Sachs Talk Like a Philosopher." Interview May 2008: 102+.
Rose, Aaron. “Tom Sachs: Half-Pipes, Kitties, & The Great Existential Abyss,” Whitewall Summer 2008: pp. 112-127.
Collins, Lauren. "Sachs & Co." The New Yorker 14 April 2008: 23-24.
StraussB, Laurence C. "Leveraged Loans, Ready for Lift Off" Barron's [New York City] 21 April 2008, sec. Credit Hunch: 58+.
Jay, John C. "Insider Art: Tom Sachs." Spread April 2008: 70-73.
Viladas, Pilar. "Jane's Addiction." The New York Times Spring 2008, sec. Style Magazine: 256-57.
Johnson, Richard. "Cupid's arrow." New York Post 14 February 2008, sec. Page Six: 10.
Vesilind, Emili. "Art & Commerce: Painting The Town Fendi." Los Angeles Times 10 February 2008, sec. News: 12.
"Dennis Scholl Interviews Tom Sachs." Interview with Dennis Scholl. The Morning, Noon, & Night Show. Plum TV. Aspen, CO. 2 January 2008.
Charlotte, Anne. "Hello Paris." Extra Small [Paris] January 2008/2009, 13th ed., News sec.: 10.
Satorius, Katherine. "Tom Sachs." ArtUS January & February 2008: 24-25.
Holmes, Steven, et. al. Festschrift : Selections from a Collection Hartford, CT: Leo P, 2008.
Evangelisti, Silvia. Arte Fiera/Art First. Bologna: Renografica Edizioni D’arte, 2008.
Bello, Katnira, ed. Las Lineas De La Mano. Coyoacan: Universidad Nacional Autonoma de Mexico, 2008.

Cook, Greg. "Following The Evidence: 'CSI' At The Museum of
Science, Plus Tom Sachs At Brandeis." The Boston Phoenix 9 December 2007.
Bergeron, Chris. "Double Vision At The Rose Art Museum." MetroWest Daily News [Waltham] November 2007.
Dambrot, Shana Nys. "Space Program." Modern Painters November 2007.
"Tom Sachs." Esquire November 2007, Japanese edition ed.: 93-95.
Taft, Catherine, “Over the Moon,”, 16 October 2007.
McQuaid, CAte. "With This Artist, Home Depot Meets Marcel Duchamp." Boston Globe 12 October 2007: sec. Art Review.
Young, Paul. "If He Were In Charge Of Mission Control." Los Angeles Times 11 October 2007, Home ed., sec. Calendar Weekend; Part E; Calendar Desk: E15.
Mendelson, Adam. "Tom Sachs Bohen Foundation." Frieze 9 October 2007.
Cosgrave, Bronwyn. "Patronage of Modern-Day Medicis." Financial Times [London] 6 October 2007, sec. Life & Art: 10.
"Tom Sachs: Logjam." The Boston Phoenix 21-27 September 2007.
Hopkins, Randi. "New New Things." The Boston Phoenix 18 September 2007.
Hopkins, Randi. "Turn On The Bright Lights." The Boston Phoenix 12 September 2007.
Sennewal, Jens E. "Tom Sachs Islandia." Spike 11 September 2007: 103-04.
Khuri, Elizabeth. "Lang in the Loop - Openings Gagosian Gallery." Los Angeles Times 9 September 2007, Vol CXXV1 no 280 ed., sec. Image; Part P; Features Desk: 13.
"Front Row: Visual Arts." Boston Sunday Globe 9 September 2007, sec. Season Ticket Fall Arts Preview 2007.
"Rose Art Museum Presents The Art Of Tom Sachs And Steve Miller." Art Knowledge News 3 September 2007, Art Appreciation Foundation. 4 September 2007 .
Perez-Hill, Shanna, “One Giant Leap For Tom Sachs,” City, September 2007, p.22.
Celant, Germano. "Tom Sachs Logjam." Interview September 2007, sec. Studio View.
Lewis, Vernard R., and Cheryl Kaplan. "Tom Sachs: Islandia." D.A.P. Fall 2007: 151.
"The Rose Art Museum Presents An Ambitious Line-up Of Nine New Contemporary Art Exhibitions In 2007-08." Brandeis University News 14 August 2007.
"Tom Sachs, Un Assembleur Infernal." Casa August 2007, Vol.89 ed., sec. Japanese Publication.
"Contemporary Look At Culture, Global Politics And Science Through The Art Of Tom Sachs and Steve Miller." Brandeis University News 21 June 2007.
McQuaid, Cate. "Picturing The Future At The Toale Gallery." Boston Globe 4 June 2007.
Morain, Michael. "Art Centers 'Logjam' Gets Creative With Junk." De Moines Register 24 May 2007.
"Tom Sachs." Paper May 2007.
"Tom Sachs Logjam." De Moines Art Center News April - May 2007.
Moos, David. "Capitan Curator And Tom Sachs." ArtUs March 2007, Issue 17 ed.: 8-10.
Silver, Allison. "Tom Sachs Travel Notes On Le Corbusier." Culture & Travel February - March 2007, Volume 3 ed.: 72-76.
Schmerler, Sarah. "Tour De Force." Time Out New York 22-28 February 2007, Issue 595 ed.: 18.
Jentleson, Katherine. "Sachs Sells." Art @ Auction February 2007.
Ha, B. "Tom Sachs, Un Assembleur Infernal." Le Monde [Paris] 27 January 2007, #19287 ed.: 1.
Ha, B. "Tom Sachs, Un Assembleur Infernal." Le Mode [Paris] 27 January 2007, #19287 ed., sec. Week-end: 28.
Weinberg, Adam D. et al. Whitney Museum of American Art at Altria: 25 years. New York: Whitney Museum of American Art, 2007.
Thomas, Dana. "Deluxe: How Luxury Lost Its Luster." NY: The Penguin Press, 2007.
Streitfield, L.P. “Armed and Disarmed: Tom Sachs,” from Conversation on Sculpture, Ed. Glenn Harper. NJ: ISC Press, 2007.
Seibundo Mook 2007, No. 3 ed.: 48-51.
Sachs, Tom. Space Program. New York: Gagosian Gallery, 2007. (exhibition catalogue).
Sachs, Tom. Space Program. New York: Gagosian Gallery, 2007. (fanzine).
Sachs, Tom. Lunar Overshoe. New York: Tom Sachs, 2007. (fanzine).
Sachs, Tom. Lunar Module Progress Report. New York: Tom Sachs, 2007. (fanzine).
Sachs, Tom. The Highline. New York: Tom Sachs, 2007. (fanzine).
Pacquement, Alfred. Collection Art Contemporain. Paris: Editions du Centre Pompidou, 2007.
Olbricht, Thomas. “Rockers Island from the Olbricht Collection,” Germany: Steidl/Folkwang Museum, 2007.
Lewis, Vernard R. Tom Sachs: Islandia. Paris: Galerie Thaddaeus Ropac, 2007.
Klanten, Robert and Lukas Feireiss. SpaceCraft: Fleeting Architecture and Hideout. Berlin: Die Gestalten Verlang, 2007, p. 201.
Hobbs, Robert. Contemporary Cool and Collected: The Mint Museums. North Carolina: The Mint Museums, 2007, p.130-131.
Art in America Now, Chinese Publication ed. Fleming, Jeff. Tom Sachs: Logjam. Des Moines: Des Moines Art Center, 2007.
"TDK SA-90 forever! Tom Sachs." Zing Magazine 2006/2007, Issue 21 ed.: 324-29.
Gong Ming Gong. Art In America Now, Chinese Publication ed.

O’Brien, Glenn, “Steady As He Goes,” BlackBook, October/November 2006, pp. 82-85.
Bollen, Christopher, “On the House,” The New York Times Style Magazine, 8 October 2006, pp. 114-116.
Bollen, Christopher. “A History of Violence,” V Magazine, Fall 2006, pp. 172-173.
Noe, Paola. “Tome Sachs: Fondazione Prada,” Modern Painters, June 2006, pp. 119-120.
Thibodeaux, Julianna. “Drive by Art,” Nuvo News Weekly, 14 June 2006.
Brevi, Manuela. “I Bricolage, Maestosi di Sachs,” Arte, May 2006, p. 61.
Gibson, Jeff, “Tom Sachs: Fondazione Prada”, Artforum, January 2006, p. 112.
Tom Sachs: Survey, America—Modernism—Fashion, exhibition catalogue, Astrup Fearnley Museet For Moderne Kunst, 2006.
This is America! Contemporary Art and American Photorealism, Utrecht: Centraal Museum, 2006.
Yvenes, Marianne, and Andrea Kroksnes, eds. Fantastisk Politikk: Kunst I Turbulente Tider (Fantastic Politics: Art in Times of Crisis.). Oslo: Nasjonalmuseet For Kunst, Arkitektur Og Design, 2006.
Celant, Germano, and Lisa Dennison, eds. New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Milan & Monaco: Skira & Grimaldi Forum, 2006. (Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, 2006.)

Amy, Michael, “You Talkin’ To Me?”: Violence in Contemporary Art,” DITS: Violence, III, 5, Winter/Spring 2005, pp. 18-31.
“Die Dritte Dimension,” Exhibition catalogue, Galerie Haas & Fuchs; Galerie Michael Haas, Berlin, 18 March – 30 April 2005.
“The Human Touch: Selections from the RBC Dain Rauscher Art Collection,” Essays by Kathy Halbreich and Don McNeil, 2005, pp. 80-81
Richer, Francesca, and Matthew Rosenzweig, eds. No. 1: First Works By 362 Artists. New York: Distributed Art, Inc., 2005.

Healy, Tom, “The Questionable Tom Sachs,” from Sculptural Sphere, Sammlung Goetz, Munich, 2004, pp. 139-156.
Homes, A.M., “Connecticut Revolution: Tom Sachs Versus his Refrigerator,” Vanity Fair, May 2004, p. 96.
Dannatt, Adrian, “Keeping It Real, Keeping It Honest,” The Art Newspaper, No. 147, May 2004, p. 33.
Rosenberg, Karen, “Conn. Artist,” New York Magazine, May 10, 2004, p. 79.
“Tom Sachs: ‘Connecticut’,” Metro, Thursday, 6 May 2004, p. 14.
Diaz, Eva, “Tom Sachs,” Time Out New York, June 3-10, 2004, p. 68.
“Tom Sachs”, The New Yorker, June 7, 2004, p.15.
Tim Sommer, “München: Sculptural Sphere,” Art – Das Kunstmagazin, June 2004, p. 100-101.
“Tom Sachs, 15 April 2003,” from Inside the Studio: Two Decades of Talks with Artists in New York, Judith Olch Richards, editor, New York: Independent Curators International (ICI), 2004, pp. 286-289.
Artwork in Interview, October 2004, p. 175.
“Tom Sachs, Sperone Westwater,” tema celeste, September-October 2004, p. 88.
“26th Bienal de Sao Paulo,” Pavilhao Ciccillo Matarazzo, Parque do Ibirapuera, Sao Paulo, Brazil, 25 September – 19 December, p. 222-225.
Oksenhorn, Stewart, “Dedicated Delinquency: Tom Sachs And The
Pursuit Of Adolescent Bricolage,” The Aspen Times, 31 December 2004.
Friedling, Melissa Pearl, “Tom Sachs at Sperone Westwater,” Flash Art, July – September 2004, p. 115.
Tschida, Anne, “Finders, Keepers,” Loft, December 2004, pp. 44- 48.

Tom Sachs Nutsy’s, New York: The Solomon R. Guggenheim Foundation, 2003
“Tom Sachs: Nutsy’s,” Sculpture, March 2003, pp. 24-25.
Kessler, Jon, “Tom Sachs,” Bomb Magazine, March 2003, pp. 69-75.
Caniglia, Julie, “80’s Again, Tom Sachs”, Artforum, March 2003, p. 240.
Pollack, Maika, “Spotlight: Tom Sachs,” Flash Art, March – April 2003, pg. 107
Trainor, James, “Tom Sachs,” Tema Celeste, June 2003, p. 88
Villasenor, Maria-Christina, “Nutsy’s World Explained: An Interview with Tom Sachs,” Guggenheim Magazine, Summer 2003, pp. 32-37.
Vincent, Steven, “Tom Sachs,” Art Auction, Summer 2003, p. 22.
McDonough, Tom, “A Day at the Races,” Art in America, July 2003, p. 58.
O’Brien, Glenn, “Notes on Nutsy’s,” from Tom Sachs: Nutsy’s, Berlin: Deutsche Guggenheim, 2003, pp. 104-109.
M.S., “Tom Sachs: Nutsy’s, Deutsche Guggenheim, Berlin,” The Art Newspaper, No. 138, July-August 2003, p. 24.
Tom Sachs, contributor, “The Kate Moss Portfolio: ‘The Nutsy’s McDonald’s’,” W Magazine, September 2003, pp. 432-433.
Picardie, Justine, “Burger queen: Kate Moss as you’ve never seen her,” The Daily Telegraph, Saturday, September 13, 2003, p. 22.
M.D., “Acquisitions: Tom Sachs, Unité, 2001,” Guggenheim Magazine, Fall 2003, p. 15.
“Tom Sachs: Seal of Approval,” Printed Matter, 2003.
Boodro, Michael, “Tinsel Town,” The New York Times Magazine, 21 December 2003, p. 56.

Streitfeld, L.P., “Armed & Disarming: The Haute Bricolage of Tom Sachs,” Sculpture, May 2002, pp. 34-39.
Meneguzzo, Marco, Translation by Amanda Coulson, “Tom Sachs,” Tema Celeste, January/February 2002, p. 76
Soloman, Deborah, “Designer Death Camp,” The New York Times Magazine, 10 March 2002, p. 19
Knight, Christopher, “’Self-Medicated’ Is Anything but Sedate,”
Los Angeles Times, 25 January 2002, p. F36
Als, Hilton, “Sachs and the City,” A+18, Autumn/Winter 2002-2003, pg. 312.
Morton, Tom, “Review: Hand Made in USA,” Britart.Com, February 2002.
Newhall, Edith, “Sachs of Toys,” New York Magazine, 11 November 2002, p. 140
Valdez, Sarah, “The Bohen Goes Nuts,” Time Out New York, 14-21 November 2002, pg. 80.

Halley, Peter, “Tom Sachs,” Index, June/July 2001, pp. 24-32

Bollen, Christopher, "American Bricolage,” Time Out New York, December 7-14, p. 67.
Staff, "Tom Sachs,” Sense, December 2000, p.40.
O'Brien, Glenn and James Meyer, "Best of 2000,” Artforum, December 2000, pp. 114, 118. (illus: "Chill Out Japan or be Nuked Again", Cover "LAV A2", p. 119)
Staff, "Galleries Downtown, American Bricolage,” The New Yorker, 27 November, p. 32.
Staff, "Handyman Special,” New York Magazine, 13 November, 2000, p. 106.
Pincio, Tommaso, "Generazione P,” Il Manifesto, 11 November 2000, p.20-21.
West, Kevin, “French Connection,” W Magazine, November 2000, pp. 138, 140.
Brown, Sarah, “Index Book Report,” Vogue, November 2000, p. 530.
Forrest, Jason, "Interview with Tom Sachs,” Superficial Dragon, Fall Edition, p.7-10.
Baer, Josh, “Art By Numbers, Slow and Steady,” New York, 9 October 2000, p. 18.
Staff, “Best Gallery Openings,” Village Voice, 3 October 2000, p. 118.
Helfand, Glen, "Critics Choice: Art,” San Francisco Bay Guardian, October 4-10.
Perrin, Cedric Saint Andre, "What is Fashion (Today)?,” Beaux Arts, October 2000, (illus: "Prada Valuemeal" p. 8-9, C. "Hermes Rat", p.21, C.)
Staff, "Pardon Our Appearance,” Issue 17, 2000, p. 88. (illus: "Tiffany Rat", p. 88, C.)
Staff, “It Girls, Cecilia Dean,” Vanity Fair, September 2000, p. 334.
Marcoci, Roxana, "The Anti-Historical Approach: Brancusi, Our Contemporary,” Art Journal, Summer 2000, pp. 18-35
Staff, "Tom Sachs,” Bijutsu Techo, August 2000, pp. 129-136. (illus: Photo of Tom Sachs by Chie Sumiyoshi, p. 135, Drawing by Tom Sachs, p. 134, "Test Module Five (Urinal),” p. 133, C., "Test Module Five (Urinal) Study", p. 132, C., "Hello Kitty", p. 131 C., "Kill All Artists", p.130, C., "Chanel Guillotine", p.129, C., "Remember Pearl Harbor", p. 129, C., "Buckaneer", p.129, C., " Chanel Chainsaw", p. 129, C.)
Staff, "Tokyo,” Geijitsu Shicho Shinchosa, June 2000, p. 91
Staff, "Provocative is his Middle Name,” Composite, 11:15 (April 2000)
Staff, "Entropy at Ubu and Feigen,” The Art Newspaper, No. 102, p.77 (April 2000)
DiPietro, Monty, “Plastic Cup Gives Lie to Bad-Boy Posturing,” Asahi Evening News, 20 April 2000, p.9.
Purvis, Jennifer, “Subverting Reality with Waste,” The Japan Sunday Times, 30 April 2000, p.13.
Staff, “What is Art?” Le Millenium, (Shiseido Company), No. 30, 2000
Peretz, Eugenia, “Art and Science,” Vanity Fair, March 2000, p.166
Sheets, Hilarie M., “Chic to Cheek,” ARTnews, Summer 2000, pp. 198-201.
Feater, Felicia, “Branded at the Intersection of Beauty and Pain,” Creative Loafing (Atlanta), 25 March 2000, p. 41.
Hass, Nancy, “Stirring Up the Art World Again,” The New York Times, March 5, pp. St1, ST4. (illus: “Module One”, p. ST1, C.)
Staff, “Surf and Turf,” Vogue Hommes International, 2000
Staff, “Architecte D’Intérieur Très À La Page,” Libération, 20 Februrary 2000
Staff, “True Blue,” The new York Post, 10 February 2000
Norwich, William, “The Art of the Meal,” The New York Magazine, 13 February, p. 77.
Hamilton, William L., “Design Notebook: New Art’s Interior Motive,” The New York Times, 3 February 2000 Egan, Maura, “Roles of a Lifetime,” New York Magazine, 24 January 2000, p. 22.
Staff, ”Mary Boone in Manette,” Tema Celeste, January 2000, pp. 140-141 (illus: “Guru’s Yardstyle”, p. 140, C., “Ace Boon Coon”, p. 140, C.)
Giovannotti, Micaela, “Tom Sachs,” Tema Celeste, January 2000, p. 130 (illus. “Sink Test Module”, p. 130, C.)
Hüetlin, Thomas and Dirk Westphal (photographer), “Angst und Schrecken und Chanel,” Spiegel Reporter, January 2000
“Tom Sachs: Cultural Prosthetics, New Expanded Edition!” Galleria Gian Enzo Sperone, Rome, 2000.

Stewart, Barbara, “Judge Dismisses Case Involving 9-Millimeter Art,” The New York Times, 7 December 1999, p. B1.
Lesser, Guy “Arts and Crafts,” Madison, December 1999, pp.62-69.
O’Brien, Glenn, “Peeves in the Temple,” Paper, December 1999, p. 109.
Clifford, Katie, “Tom Sachs,” Art News, December 1999, p. 174 (illus: “LAV A2”, p. 174, C.)
Valdez, Sarah, “Tom Sachs at Mary Boone,” Art In America, December 1999, p. 109.
Moyer, Twylene, “News: New York Versus Mary Boone,” Sculpture, December, p. 7. (illus: “Ace Boon Coon”, p. 7, C. “Toilet Test Module Number One”, p. 7, C.)
Friedman, Devin, “Fahrenheit: Man of the Month,” GQ, December 1999, p. 59.
Hay, David, “Eclecticism 2,” House Beautiful, December 1999, p. 48.
Ebony, David, “Mary Boone Jailed in Art Raid,” Art In America, November 1999, p. 37.
Skoggard, Carl, “Bitch Lounge,” Nest, Winter 1999, pp. 108-13
Yu, San-San, “Queen Mary Played With Fire?” Art China, November 1999, pp. 29-30. (illus: “Ace Boon Coon”, p. 37, C.)
Staff, “Tom Sachs and Mary Boone,” Coagula Art Journal, November 1999, pp. 14-15.
Staff, “Celebrity Personalities,” New York Magazine, 22 November 1999, pp. 34-35.
Scott, Whitney, “The Artist Who Decapitates Chanel,” Manhattan File, October 1999, p. 24.
Staff, “Voice Choices,” Village Voice, 12 October 1999, p. 111.
Guest, Anthony Haden, “The Roving Eye,” Artnet.Com, October 1999
Johnson, Richard, “Page Six,” The New York Post, 7 October 1999, p. 6.
Saltz, Jerry, ”Where the Boys Are?” Village Voice, 5 October 1999, p. 187.
Rohde, David, “Art Gallery Owner Describes Night in Jail,” The New York Times, 3 October 1999
Allen, Angela C., “Boone: I Got Roughed UP by Cops at Gallery,” The New York Post, 2 October 1999
Staff, “Queen of Art Hassled Royally,” The New York Daily News, 1 October 1999
Staff, “Ammo-tions,” The New York Post, 1 October 1999
Smith, Roberta, “Removing The Bullets And Trying To Judge A Show,” The New York Times, 1 October 1999, p. B7. (illus: “Ace Boon Coon”, p. B7, B/W.)
Rohde, David, “Art Dealer Says Arrest in an Attack on Rights,” The New York Times, 1 October 1999
Peyser, Andrea, “Gun Lobby is Striking While the Irony is Hot”, The New York Post 1 October 1999
Newman, Andy, “Art Dealer is Arrested for Exhibition of Live Ammunition,” The New York Times, 1 October 1999, p. B1.
Kimmelman, Michael, “After All that Yelling, Time to Think,” The New York Times, 1 October 1999
Columbia, David Patick, “Social Diary,” Avenue, October 1999, pp. 8-14.
Wilson-Godie, Kaelen, “Going Out Of Fashion,” Icon October 1999, pp. 56-7.
Moxham, Tony, “Life in 2029,”Interview, October 1999, p. 224
Szabo, Juilia, “The Merchandising of Tom Sachs,” Elle Décor, October, pp. 92-95.
Staff, Frieze, September-October 1999, p. 9.
Staff, “Bullets Put Gallery Big Shot Under Gun,” The New York Post, 30 September
Marzulli, John, “Art Dealer Busted in Bullet Giveaway,” The New York Daily News, 30 September 1999
“Art Dealer Arrested for Ammunition Exhibit,” The New York Times, 30 September 1999 (Early Edition)
Staff, “Gotham Style,” New York Magazine, 29 September 1999, p. 24.
Staff, “Short List,” Village Voice, 28 September 1999, p. 74.
Villegle, Jacque, “Art,” New York Magazine, 27 September 1999, p. 104.
Hakanson-Colby, Joy, “Dysfunctional Sculpture Thrives on Dislocated Perceptions,” The Detroit News, 20 September 1999
Tysh, George, “Things Ain’t The Way They Used To Be,” Metro Times, September, pp. 8-14.
Jones, Lynda, “Sofa, So Good,” Nickelodeon Magazine, September 1999, p. 20.
Staff, “New New York,” Tokion Magazine, September 1999, p.20.
Staff, Artforum, September 1999, pp. 8-9.
Staff, “Going on About Town,” The New Yorker, 27 September 1999, p. 16.
Grunewald, Ulrike, “Warhol mit Waffe in der Hand,” Welt Am Sonntag, 19 September 1999, p. 45. (illus: “Electric Chair”, p. 45, C. “Prada Death Camp”, p. 45, C. “Smelle Décor”, p. 94, C. “Chanel Guillotine/ Breakfast Nook”, p. 94, C. “Prada Valuemeal”, p. 96, C. “Queer Bait”, p. 96, C.)
Staff, “Fall Previews,” New York Magazine, 13 September 1999, p. 112 (illus: “Sink Module Test”, p. 112, C.)
Staff, “Tom Sachs and Mary Boone,” Gallery Guide, September 1999, Cover and p. 7.
Wilson Goldie, Kaelen, “Tom Sachs At Mary Boone,” Art And Auction, 1 September 1999, p. 83. (illus: “LAV A2” p. 83, C.)
Kostabi, Mark, “Artist’s Pick,” Shout, September 1999, p. 14. (illus: “Model Three”, p. 14, C.)
Powers, Bill, “I Dream of Gina,” BIKINI, September 1999, pp. 76-83.
Staff, “Fall Preview,” Newsweek, 30 August 1999, p. 62.
Plagens, Peter,“Fall Preview,” Newsweek, 30 August 1999, pp. 58-62.
Chaplin, Julia, “The First Family of Surfing,” The New York Times, 22 August 1999, Section 9:1-2.
McMullen, Patrick, “Photo File,” Manhattan File, August 1999.
Reginato, James, “La Dolce Venice,” W Magazine, August 1999, pp. 208-215.
Viladas, Pilar, “Urban Renewal,” The New York Times Magazine, 22
August, 1999, pp. 49-54. (illus: “Hermes Valuemeal”, p. 54, C.)
Kouds, Suzanne, “Bull Market Babylon,” Fortune Magazine, 16 August 1999, p. 42.
Eberl, Robert, “Granaten Marke Gucci,” Gala, 15 July 1999, p. 68
McMullan, Patrick, “Flash Fix: In the Mix,” Hamptons, 19 July 1999, p. 116.
Karcher, Eva, “Glamour-Partisan,” German Vogue, July 1999, pp. 138-141, 160.
Galvin, John, “Striking Oil,” Time Out New York, 24 July 1999, pp. 16-17.
Johnson, Richard, “Page Six,” The New York Post, 14 July 1999, p. 6.
Laferenz, Caroline, “Montblanc-Kunst und Hamburger,” Hamburger Abendblatt, 2 July 1999, p. 15.
Von Elfenbein, Stefan, “Porno-Kunst soll für junges Image
Sorgen,” Berliner Zeitung, 28 June 1999, p. 9.
“L’art Incorrect de Tom Sachs,” Genereux, June 1999
Staff, “Night Table Reading,” Vanity Fair, June 1999, p. 152.
Attias, Laurie, “Tom Sachs,” Artnews, May 1999, p. 176.
Howe, Susanna, “Sports and Mind,” Hanatsubaki, No. 587 (May 1999)
Staff, Artforum, May 1999, p. 189.
Filler, Marion, “Food Is Art In New Exhibition,” Daily Record (Morris County, NJ), 23 April 1999
Zimmer, William, “A Feast Where Not Everything Looks Good Enough to Eat,” The New York Times, April 1999, Section 14:1.
Bischoff, Dan, ”A Matter of Taste,” Sunday Star Ledger, 4 April 1999, Section 4: 1, 5.
Talley, Andre Leon, “Brand of Horror,” Vogue, April 1999, p. 76, 82.
Johnson, Richard, “Page Six: Pop Art,” The New York Post, 30 March 1999, p. 8.
Voight, Rebecca, “When Art Mocks-and Inspires-Fashion,” International Herald Tribune, 12 March 1999, p. 22.
Staff, “Tom Sachs Pirate les Marques,” Remix, March 1999
Aftergood, Steven, “Secrets and Lies,” The Bulletin Of Atomic Sciences, March-April 1999, pp. 59-60.
Buckley, Richard, “Tom Sachs is Bloody Brilliant...,” Dutch Issue #20, Spring 1999, pp. 142-143. (illus: “Hermes Valuemeal”, p.140, C. “Fendi Handaxe”, p. 141, C. “Chanel Guillotine”, p. 142, C. “Prada Death Camp”, p. 143, C.)
Staff, “Allen en Hermes,” Cosmopolitan (French Edition), March 1999
Armitage, Diane, “Tom Sachs Sony Outsider,” The Magazine, Santa Fe NM, March 1999, p. 31.
Staff, “Tom Sachs et Imi Knoebel”, Le Monde (Paris), “Supplement Aden,” 18 February 1999
Indyke, Dottie, “It’s the Bomb,” Pasatiempo, 5-11 February 1999, pp. 36-37.
Staff, “L’art Et La Mode Confondus,” L’oeil, February 1999
Staff, “Flash,” French Vogue, February 1999, p. 154.
Norwich, William, “Style Diary,” The New York Observer, 1 February 1999
Villani, John, “Deconstruction Site,” Albuquerque Journal, 31 January, 1999
Johnson, Richard, “Designer Art,” New York Post, 26 January 1999, p. 6.
Horyn, Cathy, ”Couture, the Game for the Pure Players,” The New York Times, 24 January 1999
Staff, “Tom Sachs ou les Griffes au Purgatoire,” Le Monde (Paris), 23 January 1999
Dahan, Eric, “Nuits Blanches, sous une Pluie Glacée,” Liberation, 18 January 1999
Seidl, Claudius, “Pret-a-porter,” Süddeutsche Zeitung, 15 January 1999
Norwich, William, “Style Diary,” The New York Observer, 1 January 1999
Shave, Stuart, “Sachs And Shopping,” I-D Magazine, January-February 1999, pp. 110-112.
Stalings, Tyler, “Like Infants from the Breast: The Cathode-Ray Milk of North America,” Art Papers, January-February 1999, pp. 34-38.
Johnson, Richard, “Page Six: Designer Art,” The New York Post, 26 January 1999, p. 6.

Mason, Christopher, “Uptown, Downtown: Mixing Like Paint,” The New York Times, 10 December 1998, pp. F1, F4.
Staff, ”Bathroom,” Art And Text, December 1998.
Morris, Bob, “Loco for Logos,” The New York Times Magazine, November 15, pp. 102-106.
Wilson, Eric, “From Monica To O.J., Celebrity Endorsers Can Be Risky Business,” Women’s Wear Daily, W Magazine, 31 July 1998 and October 1998
Williams, Yseult, “Une Oeuvre D’art Sur Un Plateau,” French Elle, September 1998
Staff, ”Tom Foolery,” Black Book, September 1998, pp. 38-39.
Talbot, Stephanie, “Rave,” Blueprint (London), September 1998
Staff, “School’s Out,” The Art Newspaper, July-August 1998
Verrico, Lisa, ”Feeling Flush,” The Sunday Times (London), 7 June 1998
Swanson, Carol, “The Window Dresser,” The Observatory, 20 April 1998, p. 19.
Lemons, Stevens, “Are You Looking at Me?” Soma, May 1998
Smith, Roberta, "Art in Review,” The New York Times, 8 May 1998
Norwich, Wiliams, "Billy's List-Quiztime,” The New York Observer, 11 May 1998
Pedersen, Victoria, "Gallery Go Round,” Paper, May 1998
Keeps, David A., "Shot Through the Art,” Details, May 1998
Davis, Peter, "99 Beautiful People,” Paper, April 1998
Staff, “Shock Treatment,” Scotland On Sunday, 15 February 1998
Davis, Peter, “Backtalk, Hollywood Hip 101,” Paper, February 1998, p. 28.
Kagan, Dick, “Go West, In Chelsea, New York’s Hottest Art Dealers Share Streets with Auto-Body Shops,” Art And Antiques, January 1998

Slowey, Anne, "The Joy of Sachs,” W Magazine, December 1997
Gant-Hill, Cathy, "The Venerable Art on Paper Exhibition Gets a New Curator's Fresh Touch,” News And Record, Greensboro, North Carolina, November 1997
Lotte Sandberg, "New York pa Jeloy, Kultur Kommentar, Aftenpoften,” 12 October 1997
Jortveit, Anne Karin, "Chanel, Pistolskudd-og Livslinjer,” Klassenkampen, 4 October 1997
Flor, Harald, "Vold og tyggis,” Dagbladet, 1 October 1997
Staff, "Virkelighetens Raskap of Menneslkets Sarbarhet,” Pa Pulsen Moss Dagblad, Moss, Norway, 19 September 1997
Kubberod, Tore, "MD-klubben med omnvisning pa F 15,” Pa Pulsen, 19 September 1997
Staff, "Mef Under Stolen,” MOSS AVIS, 12 September 1997
Halvorsen, Kenneth, "Tyggis, Kniver Og Spakjerringer,” Moss Dasgblad, 19 September 1997
Gibson, Jeff, "Tom Sachs,” Art And Text", May 1997, p. 80.
Jackson, Jennifer and Andrea Linett, "Fashion F.Y.I.,” Harper’s Bazaar, March 1997
Viladas, Peter, “Ross Bleckner On Long Island,” Architectural Digest, March 1997
Staff, Art In America, March 1997, p. 7.

Nys Dambrot, Shana, “Tom Sachs: Fashion Terrorist,” Hot Lava, September 1996
Schmerler, Sarah, “Art Review,” Time Out New York, 14 August 1996
Peers, Alexandra, “Jumbo Paintings Become White Elephants,” The Wall Street Journal, 17 May 1996, p. B1.
Cash, Stephanie, “Tom Sachs at Morris-Healy [review],” Art In America, May 1996
Chaikivsky, Andrew, “You Can’t Hunt with a Brancusi,” Esquire April 1996, pg. 28.
Drolet, Owen, “Reviews: Tom Sachs,” Flash Art, March-April 1996
Van de Walle, Mark, “Reviews: Tom Sachs,” Artforum, March 1996
Hucko, Leslie, “Tom Sachs,” World Art, February 1996
Tanabe, Ryota, “Trash Art,” Brutus, February 1996
Staff, “Galleries-Downtown,” The New Yorker, 8 January 1996, p. 15.
Kimmelman, Michael, “Portraying the Gun Culture,” The New York Times, 5 January 1996
Horyn, Cathy, “Couture, the Game for Pure Players,” The New York Times, 24 January 1996

Yablonsky, Linda, ”Tom Sachs: Artist Or Paranoid Terrorist? Gun for Hire,” Papermagazine, December 1995
Rimanelli, David, “Penny Wise: A Thinking Man’s Guide To Cents And Sensibility,” Elle Decor, October 1995 “Artistic Freedom Under Attack,” People from the American Way, III: 84 (1995).
Davis, Peter. "The 50 Most Stylish New Yorkers." Manhattan File Jan. 1995: 58-65.

"Store Apologizes for Christmas Display," The Messenger [Belleville], 23 December 1994.
Reilly, Lydia. "Barneys' Buyer Beware." Letter to To The Editor. 22 December 1994. The Daily News. City ed. New York, 1994. A36.
"Tough News: In Your Face." The Chicago Tribune 20 December 1994, North Sports Final: C ed., sec. Kid News: 20.
"Store Removes Kitty Nativity." The Daily Mining Gazette [Houghton] 20 December 1994.
"N.Y. Store Apologizes for Irreverent Creche." The Flint Journal 20 December 1994.
Rivera, Elaine. "Artist Protests Removal of Creche From Barneys." The Dallas Morning News 19 December 1994.
Koelln, Georgann. "Stumped For Gifts? There's Still Plenty of Stones Stuff." St. Paul Pioneer Press 18 December 1994, sec. Fashion Report: 7G Express.
Weber, Bruce. "'Kitty Nativity' Yanked From Clothing Store." Pekin Daily Times 17 December 1994.
Romano, Lois. "The Reliable Source: We've Heard That." The Washington Post 16 December 1994, sec. Style: F03.
Rivera, Elaine. "Artist Boycotts Barneys Auction." New York Newsday 16 December 1994: A3.
Paynter, Susan. "A Shining Light's Hour of Darkness." Seattle Post-Intellegencer 16 December 1994, sec. News: B1.
Murphy, Jay. "An Okay Manger." Letter to To The Editor. 15 December 1994. Our Town. 29th ed. Vol. 26. New York: Manhattan, 1994. 4.
Burger, John. "Creche Controversy: Catholic League Leads Barneys Protest, Questions Imbalance of Holiday Symbols." Catholic New York 15 December 1994: 16.
Bell, Charles W. "Store Creche a 'Pagan Charade' - O'C." Daily News [New York City]16 December 1994, Sports Final ed.
"Store Sorry For Display." Rockford Register Star 15 December 1994.
"Barney's Sees Error of Its Ways." Oakland Press [Pontiac] 15 December 1994.
Vigoda, Arlene. "Bah, Humbug." USA Today 14 December 1994, sec. D: 1D.
Romano, Lois. "The Reliable Source: Too Much Holiday Spirit?" The Washington Post 14 December 1994, sec. Style: C03.
"Store Sorry For Display." Sun Sentinel [Fort Lauderdale] 14 December 1994, Final ed., sec. National: 3A.
"Religion Isn't Window Dressing." The Daily News [New York City] 14 December 1994: 30.
"New York Store Apologizes For Satirical Nativity Scene." News & Record [Greensboro, NC] 14 December 1994, sec. General News: A9.
"Newsmakers: We Three Barts." The Houston Chronicle 14 December 1994, 2 Star ed., sec. A: 2.
Weber, Bruce. "Barney Halts Store Display of Pop Creche in Window." The New York Times 13 December 1994, sec. Metro: B3.
"Barneys New York Apology." Advertisement. The New York Times 13 December 1994, sec. International: A6.
Ray, Kerrison. "Store's Window Was a Showcase of Bad Taste." New York Post 12 December 1994, Late City Final ed.: 2+.
"Barneys Withdraws Its 'Kitty' Nativity Scene." Macomb Daily [Mt. Clemens] 11 December 1994, sec. National
Bell, Charles W. "How Still We See Thee Not: Reaction to Nativity is Frank, Incensed, Not Mirth." Daily News [New York City] 10 December 1994: 3.
Groening, Matt. "Bongo Beat: Guilt By Association." Cartoon. Simpson Comics #7: McBain Comics November 1994.
"The Alchemist (translated from Chinese)." Elle Taipai June 1994.
"When It Rains, Daring to Shine." The New York Times 1 May 1994,
Styles of the Times ed., sec. 9: V3.
Reynolds, Michael, “Talking Trash,” Vogue, May 1994, p. 320.
"Local Heroes." Wiener Magazine 4 April 1994
La Ferla, Ruth, “On the Money,” Elle, April 1994: 78.
Potlatch Corporation. Repair, Reserve, Return, Revert, Reuse. Brochure. Cloquet: 1994.

Slesin, Suzanne. "Handmade Gifts, Pa-Rum Pum Pum Pum." The New York Times 9 December 1993, sec. C: C6.
Spindler, Amy M., “Nuts and Bolts of Jewelry,” The New York Times, December 1993, pg. B8


Tom Sachs: McDonald’s. New York: Tom Sachs, 2009. (dollar cut: re-issue of 2005 fanzine)
Motorcycle Trip Zine. New York: Tom Sachs, 2009. (dollar cut: reissue of 2004 fanzine)
Tom Sachs: Nutsy’s Road Test Version 0.63. New York: Tom Sachs, 2009. (dollar cut: re-issue of 2001 fanzine)
Tom Sachs: Haute Bricolage: Third Class Version, 2009 Reissue, Ten Years of Bricolage. New York: Tom Sachs, 2009. (dollar cut: re-issue of 1999 fanzine)
Ten Bullets. New York: Tom Sachs, 2009. (fanzine)

Tom Sachs: Animals. New York: Sperone Westwater, 2008. (exhibition catalogue)
Tom Sachs: Lever House “Bronze Collection”. New York: Bronze Eagle, LLC, 2008. (fanzine)
Tom Sachs: Connecticut. New York: Sperone Westwater, 2008. (fanzine)
Gold & Plywood. New York: Galerie Thaddaeus Ropac, 2008. (fanzine)

Lewis, Vernard R. Tom Sachs: Islandia. Paris: Galerie Thaddaeus Ropac, 2007. (exhibition catalogue)
Fleming, Jeff. Tom Sachs Logjam. Des Moines: Des Moines Art Center, 2007. (exhibition catalogue)
Lunar Overshoe. New York: Tom Sachs, 2007. (fanzine)
Lunar Module Progress Report. New York: Tom Sachs, 2007. (fanzine)
The Highline. New York: Tom Sachs, 2007. (fanzine)
Space Program. New York: Gagosian Gallery, 2007. (exhibition catalogue)
Space Program. New York: Gagosian Gallery, 2007. (fanzine)

The Island Guide. New York: Allied Cultural Prosthetics, 2006. (artist monograph)
Celant, Germano. Tom Sachs, exhibition catalogue. Milan: Fondazione Prada, 2006. (artist monograph)
Tom Sachs: Survey, America—Modernism—Fashion. Oslo, Norway: Astrup Fearnley Museet for Moderne Kunst, 2006. (exhibition catalogue)

Tom Sachs: McDonalds. New York: Tom Sachs, 2005. (fanzine, Japanese edition)

Motorcycle Trip Zine. New York: Tom Sachs, 2004. (fanzine)
Hester Street Version 1.0. New York: Tom Sachs, 2004. (fanzine)
Mont Blanc UNICEF, Intervention. New York: Tom Sachs, 2004. (fanzine)

Hanhardt, John and Maria-Christina Villasenor. Tom Sachs Nutsy’s. New York: The Solomon R. Guggenheim Foundation, 2003. (exhibition catalogue)
The Failure of: SONY Outsider, And its Triumphs, 1998. New York: Tom Sachs, 2003. (fanzine)
Seal of Approval, OK. New York: Tom Sachs, 2003. (fanzine)
Oscar Hanigsberg. New York: Tom Sachs, 2003. (fanzine)
Holiday Spectacular. New York: Printed Matter, Inc., 2003. (fanzine)

Nutsy’s. New York: Tom Sachs, 2002. (fanzine)

Boxcutter Blues: The Guardsman Story Version 1.0. New York: Tom Sachs, 2001. (fanzine)
Nutsy’s L’Unite: Version 0.62. New York: Tom Sachs, 2001. (fanzine)
Nutsy’s Road Test: Version 0.63. New York: Tom Sachs, 2001. (fanzine)
White. New York: Tom Sachs, 2001. (exhibition catalogue)
White. New York: Tom Sachs, 2001. (fanzine)

American Bricolage. New York: Sperone Westwater, 2000. (fanzine)
Tom Sachs: Cultural Prosthetics, New Expanded Edition! Rome: Galleria Gian Enzo Sperone, 2000. (exhibition catalogue)

Haute Bricolage. New York: Tom Sachs, 1999. (fanzine)

Tom Sachs: Cultural Prosthetics. Rome, Italy: Galleria Gian Enzo Sperone, 1997. (exhibition catalog)

150 Chevy Vans I Did Not Buy. New York: Tom Sachs, 1990. (fanzine)


Albright Knox Art Gallery, Buffalo, New York
Astrup Fearnley Museet for Moderne Kunst, Oslo, Norway
Centre Georges Pompidou, Paris, France
Ellipse Foundation, Contemporary Art Collection Arte Centre, Cascais, Portugal
The Jewish Museum, New York
Lever House Collection, New York
Metropolitan Museum of Art, New York
University of North Carolina, Weatherspoon Art Gallery, Greensboro, North Carolina
The Sammlung Essl Collection, Vienna, Austria
The Sammlung Olbricht Collection, Essen, Germany
The Sammlung Goetz Collection, Munich, Germany
The San Francisco Museum of Modern Art, San Francisco, California
The Solomon R. Guggenheim Museum, New York
The Vanhaerents Collection, Brussels, Belgium
Whitney Museum of American Art, New York
Yale University Art Gallery, New Haven, Connecticut